LBB: The Future Is Short


I’ve always been obsessed with short formats.

I like short stories, especially from Sam Shepard and Paul Bowles.

A collection makes up a bigger overall idea and theme, which can sometimes be more profound than a longer movie or book.

Making something short is an art, where every component counts.

Being meticulous with each frame.

The craft that commercial directing has taught me is how to tell gripping cinematic narratives in very short time frames.

I love long-form. I’m working on two features and a television project right now, but I will always have a deep love for short-form storytelling. In this attention economy, where there are more options and competition for eyeballs than ever, it strikes me that the future of entertainment is about diversity and variety. The best short-form series have contained character-led stories, propulsive narratives and surprise, which is its strongest attribute.

Last year I created a series with writer Larry Volpi called Do Not Disturb. As a director I have spent a lot of my time in hotel rooms around the world, hanging that little sign outside the door to afford some privacy, along with hundreds of thousands of others. Everyone hangs that sign for a different reason, because in a hotel room you have complete privacy, or at least the illusion of that. And so, every day a hundred thousand stories play out on private stages across the world, and that became the springboard for Do Not Disturb, a short hotel room anthology series.

We wanted to make it a true anthology. A mix of genres – horror, drama, comedy, thriller – every episode a space for an actor to come in and make the stage their own. It was intentionally designed to be a theatre for craft – a playground for production and sound design, acting, directing, editing… cinema. So in creating the series, we made space for this to be a love-letter to the craft of short storytelling, and worked with the most talented forces in the film and television industry, from the other directors I brought on – Jude Law (making his directorial debut), Zoe Cassavetes, Jake Chapman, Mounia Akl, Dylan Southern & Will Lovelace, and Matt Huston to the most brilliant actors Monica Bellucci, Jack Huston, Suki and Imogen Waterhouse, Daniel Mays, and Robert Emms. One of the great advantages of short-form is the space it allows for experimentation, both with talent and ideas.

With each episode confined to a hotel room that we never leave, the laws of space and time set hard boundaries within which we could play. We never wanted the audience to know where a story would take them – each character is never quite who they seem. There’s a human truth behind every door that, despite the best will in the world, we’re all this close to being exposed.

We were invited to premiere at Cannes Series this year, and I’m writing this from the balcony of my hotel room in the hills, after watching ten of the best international short-form series play. I was struck by the richness and craftsmanship at work in this new format for television – and how much diversity there is in approaches. It’s easy to make a glib statement that the future of television is in shorter lengths. And that would be a mistake. The industry is still learning what to do with short-form, though it’s clear the audience wants more. It’s exciting that the entertainment world has room for so many different ideas and expressions, and as someone who is passionate about the craft of storytelling, I’m proud to be one of the filmmakers translating those skills into the new frontier of short-form entertainment, creating a new breed of television.



One of the favorites heading into this year’s Canneseries Short-Form Competition has to be the star-studded anthology series “Do Not Disturb,” spearheaded by the U.K.’s Pulse Films in association with Blackpills Studio.

Michael Haussman and Larry Volpi created the series, and its nine, 10-minute episodes were written by the two along with Olivia Poulet, Mike O’Leary, Nida Manzoor and Davey Spens.

“Do Not Disturb” takes the audience behind the little plastic placards we hang on hotel-room door handles when we need a nap, want to be left alone, or perhaps up to something a bit more adult, as is often the case in this show.

Some episodes are comedies, some terrifying and others sultry, but each explores the darker side of humanity that is often kept behind closed doors.

The series’ directors include Haussman, Jude Law, Jake Chapman, Mounia Akl, Dylan Southern, Will Lovelace, Zoe Casavettes and Matthew Huston. It’s produced by Pulse Films, Person Films & Riff Raff with Blackpills Studio.

Monica Bellucci highlights a cast of major film and TV stars featuring, among others: Ralph Ineson (“The Witch”) Jack Huston (“American Hustle”), Daniel Mays (“Rogue One: A Star Wars Story”), Sophie Cookson (“Kingsman”), Robert Emms (“War Horse”), Edward Holcroft (“Kingsman”), Suki Waterhouse (“The Girl Who Invented Kissing”), Imogen Waterhouse (“Nocturnal Ani
mals”) and Nathan Stewart-Jarrett (“Misfits”).

Creator-writer-director Michael Haussman answered questions from Variety ahead of the show’s CanneseriesShort Forms world premiere.

Anthology series seem an ideal format for short-form. Can you talk about some advantages of the format for “Do Not Disturb”?

Anthology is great for short form because you can create a season of different genres- comedy, horror to drama – which play to the strength of how short-form series are discovered and consumed, each bite offering something different. In our series the audience is dropped into several short, provocative setups in hotel rooms around the world, with the energy constantly moving, and the audience never quite knowing where they’ll go next or what they’ll find. Short format plays to its advantage, continuously ratcheting up the stakes and tension, keeping the characters and stories twisting until the end.

Was the series always intended to be short-form?

Our series was purpose-built for short-form, as hotel stories are best chronicled in short antidotes or crazy experiences which we all can relate to in our travels. It mirrors the thousands of dramas that play out in hotel rooms every day, everywhere, when the Do Not Disturb sign is left hanging.

Audiences just seem to be coming around to short-form TV, and will likely be impressed with the casting in “Do Not Disturb.” How did the big-name actors in the series come to be involved?

From the start we built a vehicle for talent with constantly twisting story lines motivated by the characters. Who you meet in the beginning is never who they are in the end.  This freedom to evolve and change in such a short time frame was unique and resonated with high-level talent both in front, and behind the camera.

The series is world premiering at Canneseries, which has become perhaps the most important showcase for this format. Can you talk about what it means to have your series as part of the official competition lineup there?

As the short-form format market has grown, a few festivals have turned a spotlight on this new breed of television, none more prestigious than Cannes. We were thrilled to be invited to join the Official Competition lineup.

Read the full article at Variety